Ancient monuments
Tran Quoc Pagoda
Considered one of the best temples in Vietnam, Tran Quoc Pagoda with 1500 years of history is the first temple built under King Ly Nam De (541 - 547) on the banks of the Hong River. When completed, the pagoda was named Khai Quoc pagoda. After many renaming and relocation, by the end of the 17th century, the pagoda was named as Tran Quoc by King Tran Hy Tong and was located on a single island east of West Lake, in present-day Tay Ho district.
The first unique feature of Tran Quoc Pagoda is the entrance of the pagoda. There is a softly curved path leading to the temple. Going through the temple gate, visitors only need to follow the only red-tiled road to get to the inner structures including the main hall in the middle.
The corridor continues to be extended by the incense burner and the upper palace, behind it was the bell tower. The highlight of Tran Quoc pagoda is the unique tomb tower of pagoda behind the pagoda with many ancient towers which was built in the 18th century. Of which, the most prominent thing is probably the tower of a 11-floor lotus flower tower which is 15m high. It was built in 1998. Each tower’s floor has 6 doorcells. In each cell, there is an Amitabha Buddha statue made of precious stone. On the top of the tower there is Cuu Pham Lien Hoa stone statue.Tran Quoc pagoda Hanoi
The Imperial City, Hue, Vietnam
Vietnam historical monuments are many but Hue, Vietnam’s old Imperial City, is where you’ll find some of the oldest, along with the cultural heart and soul of the country. Hue was the imperial capital of Vietnam’s Nguyen dynasty between 1802 and 1945 and sits at the mouth of the Perfume River.
The Imperial City, an imposing square fortress, was built to emulate the Forbidden City in Beijing, and is encompassed by 6-metre high walls. Thai Hoa Palace, is embellished with exquisite lacquer, gilding, and bronzeware with dragons guarding the entrances. The gateway to Hien Lam pavilion, a three-story wooden structure, is stunning. The former Imperial City is one of the most famous landmarks of Vietnam.
My Son
is one of the largest historic, archaeological and cultural sites in southeast Asia. Now a Overview: Mỹ Sơn is one of the largest historic, archaeological and cultural sites in southeast Asia. Now a UNESCO World Heritage Site in Vietnam, it served as a major religious and political center of the Champa Kingdom between the 4th and 14th centuries. My Son site has spiritual roots in 1st–millennium Hinduism whose artistic interpretation evolved with Cham heritage and ideas.
My Son sanctuary is located in the Duy Xuyen District of Quang Nam Province, in central Viet Nam. It is set within a valley surrounded by mountains, one of whom resembles the legendary Mount Meru and Kailasha. This is where the sacred Thu Bon river starts, then irrigates one of the heartland of Champa regions before meeting the South China Sea near famed historic port and economic center of Hoi An.
My Son is the largest Champa site, whose history can be traced to the Dua people, who inspired by Hinduism, founded Champapura in late 2nd century (192 CE). These thereafter came to be known as Champa or Cham people. The oldest structures at My Son are from the 4th century. Over time, well over 100 Hindu shrines and structures were built here, mostly to the Shiva tradition – the Cham state religion, but also to Vishnu, Durga, Krishna and others. The site, at times, attracted syncretic Hindu-Mahayana Buddhist ideas.
The My Son site is spread over miles, was predominantly built with bricks but one baked in such a way that appears to have been made from red sandstone. The monuments either face east or west. The site is archaeologically studied in many Nhoms (groups) – Group A ithrough Group M. Group B–C–D are together, built over 4th to 13th century near the confluence of two major river streams, and form the largest group of shrines. Group E–F are also together, dated to about the 7th-century, distinctive for the Vallabhi and Kalan architecture. Group A is the most magnificent structures built from 5th century onwards. Group G, H, L, M are isolated. Many of the isolated sites are rarely visited except by archaeologists and devout Cham pilgrims.
The My Son site was in good state of preservation through the colonial era, as documented by a team led by the French architect and scholar Henri Parmentier. However, the site was badly damaged in the wars that followed, particularly the Vietnam war of 1960s and early 1970s, which left numerous bomb craters midst different groups of historic monuments. My Son ruins and shelled structures continue to provide archaeological evidence of rich cultural history, as well as exceptional artistic accomplishment of the Vietnamese people and cultural networks in southeast Asia., it served as a major religious and political center of the Champa Kingdom between the 4th and 14th centuries. My Son site has spiritual roots in 1st–millennium Hinduism whose artistic interpretation evolved with Cham heritage and ideas.
My Son sanctuary is located in the Duy Xuyen District of Quang Nam Province, in central Viet Nam. It is set within a valley surrounded by mountains, one of whom resembles the legendary Mount Meru and Kailasha. This is where the sacred Thu Bon river starts, then irrigates one of the heartland of Champa regions before meeting the South China Sea near famed historic port and economic center of Hoi An.
My Son is the largest Champa site, whose history can be traced to the Dua people, who inspired by Hinduism, founded Champapura in late 2nd century (192 CE). These thereafter came to be known as Champa or Cham people. The oldest structures at My Son are from the 4th century. Over time, well over 100 Hindu shrines and structures were built here, mostly to the Shiva tradition – the Cham state religion, but also to Vishnu, Durga, Krishna and others. The site, at times, attracted syncretic Hindu-Mahayana Buddhist ideas.
The My Son site is spread over miles, was predominantly built with bricks but one baked in such a way that appears to have been made from red sandstone. The monuments either face east or west. The site is archaeologically studied in many Nhoms (groups) – Group A ithrough Group M. Group B–C–D are together, built over 4th to 13th century near the confluence of two major river streams, and form the largest group of shrines. Group E–F are also together, dated to about the 7th-century, distinctive for the Vallabhi and Kalan architecture. Group A is the most magnificent structures built from 5th century onwards. Group G, H, L, M are isolated. Many of the isolated sites are rarely visited except by archaeologists and devout Cham pilgrims.
The My Son site was in good state of preservation through the colonial era, as documented by a team led by the French architect and scholar Henri Parmentier. However, the site was badly damaged in the wars that followed, particularly the Vietnam war of 1960s and early 1970s, which left numerous bomb craters midst different groups of historic monuments. My Son ruins and shelled structures continue to provide archaeological evidence of rich cultural history, as well as exceptional artistic accomplishment of the Vietnamese people and cultural networks in southeast Asia.
